Doves
If you are interested in researching further. I think this can help point out the importance of sacred geometry & how it's the picture of what Jehovah has created. The "secret" of course is being able to look at that picture and understand it. As I mentioned seeing the picture can lead to 100% success with trades or a very, happy content life.
I posted previously about the ability to actually see a picture when looking at it. Two examples were given. The Night-watch & The Descent. Unfortunately the non spiritual or people with the wrong heart attitude won't see the picture clearly or at all. A non spiritual person or a person who denies the truth (someone who worships the created instead of the creator) upon looking at the truth still wouldn't see it. Once having the secret it can also be lost if the heart attitude changes, Gann as an example. The following is only a copy and paste from a site. To truly research sacred geometry you have to delve deeply into the source material yourself. There are some fantastic libraries across the globe that hold that material. Alchemists have sought for centuries the ability to turn base metals into the noble metal, how much more easy to turn candles into gold instead.
The warning would be never adulterate the pure truth of the creator with demonic teachings as taught by man. The end for you would be worse than the beginning.
(brackets added are mine)
"The strands of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, (price charts), and all life forms as we know them emerge out of timeless geometric codes.
The designs of exalted holy places from the prehistoric monuments at Stonehenge and the Pyramid of Khufu at Giza, to the world's great cathedrals, mosques, and temples are based on these same principles of sacred geometry.
As far back as Greek Mystery schools 2500 years ago it was taught that there are five perfect 3-dimensional forms - the tetrahedron, hexahedron, octahedron, dodecahedron, and icosahedron ... collectively known as the Platonic Solids; and that these form the foundation of everything in the physical world."
In nature, we find patterns, designs and structures from the most minuscule particles, to expressions of life discernible by human eyes, to the greater cosmos. These inevitably follow geometrical archetypes, which reveal to us the nature of each form and its vibrational resonances.
They are also symbolic of the underlying metaphysical principle of the inseparable relationship of the part to the whole. It is this principle of oneness (
"And Jehovah will be king over all the earth; in that day Jehovah will be the only one, and His name the only one." Zechariah 14:9) underlying all geometry that permeates the architecture of all form in its myriad diversity. This principle of interconnectedness, inseparability and union provides us with a continuous reminder of our relationship to the whole, a blueprint for the mind to the sacred foundation of all things created.
Starting with what may be the simplest and most perfect of forms, the sphere is an ultimate expression of unity, completeness, and integrity. There is no point of view given greater or lesser importance, and all points on the surface are equally accessible and regarded by the center from which all originate. Atoms, cells, seeds, planets, and globular star systems all echo the spherical paradigm of total inclusion.
The golden ratio (a.k.a. phi ratio a.k.a. sacred cut a.k.a. golden mean a.k.a. divine proportion) is another fundamental measure that seems to crop up almost everywhere, including crops. (The golden ratio is about 1.618033988749894848204586834365638117720309180...) The golden ratio is the unique ratio such that the ratio of the whole to the larger portion is the same as the ratio of the larger portion to the smaller portion. As such, it symbolically links each new generation to its ancestors, preserving the continuity of relationship as the means for retracing its lineage.
The golden ratio (phi) has some unique properties and makes some interesting appearances:
- phi = phi^2 - 1; therefore 1 + phi = phi^2; phi + phi^2 = phi^3; phi^2 + phi^3= phi^4; ad infinitum.
- phi = (1 + square root(5)) / 2 from quadratic formula, 1 + phi = phi^2.
- phi = 1 + 1/(1 + 1/(1 + 1/(1 + 1/(1 + 1/(1 + 1/...)))))
- phi = 1 + square root(1 + square root(1 + square root(1 + square root(1 + square root(1 + ...)))))
- phi = (sec 72)/2 =(csc 18)/2 = 1/(2 cos 72) = 1/(2 sin 18) = 2 sin 54 = 2 cos 36 = 2/(csc 54) = 2/ (sec 36) for all you trigonometry enthusiasts.
- phi = the ratio of segments in a 5-pointed star (pentagram) considered sacred to Plato and Pythagoras in their mystery schools. Note that each larger (or smaller) section is related by the phi ratio, so that a power series of the golden ratio raised to successively higher (or lower) powers is automatically generated: phi, phi^2, phi^3, phi^4, phi^5, etc.
- phi = apothem to bisected base ratio in the Great Pyramid of Giza
- phi = ratio of adjacent terms of the famous Fibonacci Series evaluated at infinity; the Fibonacci Series is a rather ubiquitous set of numbers that begins with one and one and each term thereafter is the sum of the prior two terms, thus: 1,1,2,3,5,8,13,21,34,55,89,144... (interesting that the 12th term is 12 "raised to a higher power", which appears prominently in a vast collection of metaphysical literature)
The mathematician credited with the discovery of this series is
Leonardo Pisano Fibonacci and there is a publication devoted to disseminating information about its unique mathematical properties,
The Fibonacci Quarterly
Fibonacci ratios appear in the ratio of the number of spiral arms in daisies, in the chronology of rabbit populations, in the sequence of leaf patterns as they twist around a branch, and a myriad of places in nature where self-generating patterns are in effect. The sequence is the rational progression towards the irrational number embodied in the quintessential golden ratio.
This most aesthetically pleasing proportion, phi, has been utilized by numerous artists since (and probably before!) the construction of the Great Pyramid. As scholars and artists of eras gone by discovered (such as Leonardo da Vinci,
Plato, and
Pythagoras), the intentional use of these natural proportions in art of various forms expands our sense of beauty, balance and harmony to optimal effect. Leonardo da Vinci used the Golden Ratio in his painting of
The Last Supper in both the overall composition (three vertical Golden Rectangles, and a decagon (which contains the golden ratio) for alignment of the central figure of Jesus.
The outline of the
Parthenon at the Acropolis near Athens, Greece is enclosed by a Golden Rectangle by design.
The
Vesica Piscis is formed by the intersection of two circles or spheres whose centers exactly touch. This symbolic intersection represents the "common ground", "shared vision" or "mutual understanding" between equal individuals. The shape of the human eye itself is a Vesica Piscis. The spiritual significance of "seeing eye to eye" to the "mirror of the soul" was highly regarded by numerous Renaissance artists who used this form extensively in art and architecture. The ratio of the axes of the form is the square root of 3, which alludes to the deepest nature of the triune which cannot be adequately expressed by rational language alone.
This spiral generated by a recursive nest of Golden Triangles (triangles with relative side lengths of 1, phi and phi) is the classic shape of the Chambered Nautilus shell. The creature building this shell uses the same proportions for each expanded chamber that is added; growth follows a law which is everywhere the same. The outer triangle is the same as one of the five "arms" of the pentagonal graphic above.
Rotating a circle about a line tangent to it creates a torus, which is similar to a donut shape where the center exactly touches all the "rotated circles." The surface of the torus can be covered with 7 distinct areas, all of which touch each other; an example of the classic "map problem" where one tries to find a map where the least number of unique colors are needed. In this 3-dimensional case, 7 colors are needed, meaning that the torus has a high degree of "communication" across its surface. The image shown is a "birds-eye" view.
There is a wealth of good literature on this subject; it's always fascinating how nature propagates the same essence regardless of the magnitude of its expression...our spirit is spaceless yet can manifest aspects of its individuality at any scale.
Metatron's Cube contains 2-dimensional images of the Platonic Solids (as shown above) and many other primal forms.
Indelibly etched on the walls of temple of the Osirion at Abydos, Egypt, the Flower of Life contains a vast Akashic system of information, including templates for the five Platonic Solids.
There are 13 Archimedean solids, each of which are composed of two or more different regular polygons. Interestingly, 5 (Platonic) and 13 (Archimedean) are both Fibonacci numbers, and 5, 12 and 13 form a perfect right triangle
http://www.sacred-geometry.com/
