Henryk Wieniawski : Violin Concerto No. 2 in D minor, Op....

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    Henryk Wieniawski : Violin Concerto No. 2 in D minor, Op. 22
    Violin Concerto No. 2 in D minor, Op. 22, by the Polish violin virtuoso, Henryk Wieniawski, may have been started in 1856, but the first performance did not take place until November 27, 1862, when he played it in St. Petersburg with Anton Rubinstein conducting. It was published in 1879, inscribed to his dear friend Pablo de Sarasate. Written during the relatively stable period of Wieniawski's residence in St Petersburg, the second Violin Concerto in D minor, op.22 is generally considered as his finest work. Richly melodic and highly idiomatic the work balances the elements of style dispassionately and serenely. Wieniawski first played the work in St Petersburg on 27 November 1862 under the baton of Anton Rubinstein.The second violin concerto remains one of the most popular violin concertos of the Romantic era, memorable for its lush and moving melodies and harmonies.

    Violin : Shlomo Mintz
    Shlomo Mintz (Hebrew: שלמה מינץ) (born 30 October 1957) is an Israeli violin virtuoso, violist and conductor. He was born in Moscow. In 1959, when he was two, his family immigrated to Israel, where he studied with Ilona Feher, a student of Jenő Hubay. Feher introduced Shlomo Mintz to Isaac Stern, who became his mentor. He was also a student of Dorothy DeLay in New York. His first performance on stage was at the age of six, and at age eleven he played as soloist with the Israel Philharmonic Orchestra. Soon afterward, he was called on a week's notice by Zubin Mehta to play Paganini's Violin Concerto No. 1, Op. 6, with the orchestra when Itzhak Perlman fell ill. He made his Carnegie Hall debut at the age of sixteen with the Pittsburgh Symphony Orchestra (conducted by William Steinberg).Under the auspices of Isaac Stern and the American-Israel Cultural Foundation he started studying at the Juilliard School of Music in New York and soon afterward at the age of 18, he made an extensive tour through Europe. He also signed, still in his early twenties, a long-term recording contract with Deutsche Grammophon and was invited by Berlin, Vienna, Concertgebouw, Chicago, Los Angeles, Cleveland, Philadelphia and New York Philharmonic Orchestras frequently.

 
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